≈ 1 hour and 46 minutes · No intermission
Last updated: April 11, 2024
A Note From the Executive Producer, NAC Dance
Good evening,
I would like to invite you to dive into artistic genius Angelin Preljocaj's new spin on the world of Snow White. This unique piece is being performed by Canada’s Royal Winnipeg Ballet (RWB), who tell the classic tale with passion and grace.
Angelin Preljocaj is an icon of contemporary dance, known for his subtly intellectual yet sensual style. Here, he offers a captivating vision of this timeless tale from the Brothers Grimm. His gifted, nuanced storytelling will whisk theatregoers away to a world where every movement is a tale of its own. RWB’s performers bring the characters to life against a spectacular backdrop, apparelled in lavish costumes from Jean Paul Gauthier, the enfant terrible of French fashion. Put it all together, and you’ve got the recipe for one enchanting evening.
It was the dream of André Lewis, RWB’s artistic director, to add this piece to the company’s repertoire. How lucky we are that his dream has come true—it is our great delight that the ballet will be gracing the stage of the National Arts Centre.
We are thrilled to once again welcome Canada’s Royal Winnipeg Ballet. Bravo to the whole team!
Enjoy,
A Note From the Artistic Director, RWB
Canada's Royal Winnipeg Ballet is thrilled to present Snow White, a ballet choreographed by the renowned French choreographer Angelin Preljocaj. This ballet has been a dream of mine to present in Canada for many years, and it has finally come true! Snow White premiered in Winnipeg in September 2023 and received rave reviews from both audiences and critics for its dark and edgy storytelling.
This contemporary adaptation of Snow White is set to the beautiful music of Gustav Mahler's symphonies and is accompanied by electro-acoustic sounds. The iconic fashion designer Jean Paul Gaultier created the stunning costumes, while the spectacular sets were designed by Thierry Leproust, and the dark and moody lighting by Scott Henderson, based on Patrick Riou's original design. Preljocaj created a magnificent show that engages the audience with aerial scenes, mature narrative, and edgy costumes. The Royal Winnipeg Ballet showcases energy, athleticism, and theatricality while taking bold steps to blend dance, design, and art to reawaken this age-old tale's themes of beauty and envy. It is a performance that will spark conversation and leave a lasting impression.
Choreographer's Note
Snow White
Snow White is a great romantic, contemporary ballet, based on the Grimm brothers’ version of the fairy tale.
I had created some very abstract pieces with Empty Moves and Eldorado (Sonntags Abschied) and, as often happens, I wanted to do something completely different, write something very concrete and offer something magical and enchanted. Like everyone else, I love stories.
Snow White is a narrative ballet with its own dramatic content. The places are represented by Thierry Leproust’s sets. The dancers play their parts in costumes by Jean Paul Gaultier. It’s not the myth or the legend of Snow White: it is Snow White herself. It is really her story.
It is not easy to tell a story through dance and that is what is so fascinating. How do you get the story across? In L’Anoure, I chose to let the audience hear Pascal Quignard’s text on the soundtrack. But with Snow White, I’m using an argument that everyone knows, which allows me to concentrate on what is being said by the bodies, the energies, and the space and what the characters feel and experience in order to show how the bodies are transcended. And Snow White contains objects that are wonderful for a choreographer’s imagination.
I have followed the version by the Grimm brothers, with just a few personal variations based on my own analysis of the symbols in the tale. Bruno Bettelheim describes Snow White as an Oedipus in reverse. The wicked stepmother is without a doubt the central character in the tale. She is the one who I examine through her narcissistic determination not to give up on seduction and her role as a woman, even if it means sacrificing her stepdaughter.
This ballet is particularly important to me – and I insist on the word “ballet” as it brings together the dancers of the company. They will be dancing to Mahler’s symphonies, whose magnificent excesses are of a romantic nature. Historically, Grimms tales are too, even though their refined style suggest a more contemporary form. Trying to move people emotionally is a delicate undertaking. Mahler’s music has to be used with enormous care, but it is a risk I am keen to take.
About Canada’s Royal Winnipeg Ballet
The Royal Winnipeg enriches the human experience by teaching, creating and performing outstanding dance. Founded in 1939 by Gweneth Lloyd and Betty Farrally, the Royal Winnipeg Ballet holds the double distinction of being Canada’s premier ballet company and the longest continuously operating ballet company in North America. The RWB received its ‘Royal’ designation from Queen Elizabeth II in 1953, the first Royal Charter granted during her reign.
With the leadership of Artistic Director André Lewis, C.M., O.M., M.S.M., versatility, technical excellence, and a captivating style have become the trademarks of the RWB, qualities that have garnered both critical and audience acclaim. The RWB’s superlative standards keep the Company in demand across North America and beyond. In addition to the Company, the RWB is home to the RWB School, consisting of both the Professional Division, our internationally renowned dance education and training centre for aspiring professional dancers and dance teachers, and the Recreational Division, which is one of Winnipeg's largest dance schools for all ages, levels, and interests.
Casting
Subject to Change
Snow White
Taisi Tollasepp (11,13) / Amanda Solheim (12)
The Prince
Logan Savard (11,13) / Stephan Azulay (12)
The Queen
Jaimi Deleau (11,13) / Maggie Weatherdon (12)
The Queen’s Reflection
Maggie Weatherdon (11,13) / Jaimi Deleau (12)
The Mother
Katie Bonnell
Young Snow White
Eva Chan (11, 12, 13)
The Cats-Gargoiles
Alanna McAdie (11,13) / Yayoi Ban (12)
Julianna Generoux (11,13) / Katie Simpson (12)
The Cats-Gargoiles Reflections
Yayoi Ban (11,13) / Alanna McAdie (12)
Katie Simpson (11,13) Julianna Generoux (12)
The Hunters
Joshua Hidson
Marco Lo Presti
Cleighden Butler
The 7 Monks
Myles Mackesy, Felix Jinga, Peter Lancksweerdt, Michel Lavoie, Tymin Keown, Rafe Perry, Liam Saito
The Suitors
Prince + Stephan Azulay (11,13) / Logan Savard (12)
Marco Lo Presti
The Lovers
Elizabeth Lamont, Katie Bonnell, Amanda Solheim (11,13)/ Emilie Lewis (12), Brooke Thomas
Marco Lo Presti, Joshua Hidson, Felix Jinga, Cleighden Butler
The King
Tymin Keown (in Ball) / Joshua Hidson (in Wedding)
The Guards
Cleighden Butler, Rafe Perry
Deer
Alanna McAdie (11, 13) / Katie Bonnell (12)
The Courtisans
Alanna McAdie, Amanda Solheim (11,13)/ Taisi Tollasepp (12), Elizabeth Lamont, Katie Simpson, Katie Bonnell, Julianna Generoux, Maggie Weatherdon (11,13)/ Jaimi Deleau (12), Yayoi Ban, Brooke Thomas, Emilie Lewis Myles Mackesy, Peter Lancksweerdt, Michel Lavoie, Rafe Perry, Liam Saito, Joshua Hidson, Cleighden Butler, Felix Jinga, Marco Lo Presti, Stephan Azulay (11,13) / Logan Savard (12)
Sets and costumes supplied by Staatsballet Berlin.
Artists
Founded in 1939, the Royal Winnipeg Ballet holds the double distinction of being Canada’s premier ballet company and one of the oldest ballet companies in North America. Under the artistic direction of André Lewis, O.M., versatility, technical excellence and a captivating style are the trademarks of the Royal Winnipeg Ballet, qualities that have garnered both critical and audience acclaim. RWB’s superlative standards keep the Company in demand across North America. In addition to the Company, the RWB is home to the RWB School, consisting of both a professional division which trains young artists for a professional career in dance, and a recreational division which provides classes to over 1000 students each week.
Since its debut in 1969, the National Arts Centre (NAC) Orchestra has been praised for the passion and clarity of its performances, its visionary educational programs, and its prominent role in nurturing Canadian creativity. Under the leadership of Music Director Alexander Shelley, the NAC Orchestra reflects the fabric and values of Canada, reaching and representing the diverse communities we live in with daring programming, powerful storytelling, inspiring artistry, and innovative partnerships.
Alexander Shelley began his tenure as Music Director in 2015, following Pinchas Zukerman’s 16 seasons at the helm. Principal Associate Conductor of the Royal Philharmonic Orchestra, and former Chief Conductor of the Nuremberg Symphony Orchestra (2009–2017), he has been in demand around the world, conducting the Rotterdam Philharmonic, DSO Berlin, Leipzig Gewandhaus, and Stockholm Philharmonic, among others, and maintains a regular relationship with the Deutsche Kammerphilharmonie and the German National Youth Orchestra.
Each season, the NAC Orchestra features world-class artists such as the newly appointed Artist-in-Residence James Ehnes, Angela Hewitt, Joshua Bell, Xian Zhang, Gabriela Montero, Stewart Goodyear, Jan Lisiecki, and Principal Guest Conductor John Storgårds. As one of the most accessible, inclusive, and collaborative orchestras in the world, the NAC Orchestra uses music as a universal language to communicate the deepest of human emotions and connect people through shared experiences.
Angelin Preljocaj was born in France, and began studying classical ballet before turning to contemporary dance, which he studied with Karin Waehner, Zena Rommett, Merce Cunningham, and later Viola Farber and Quentin Rouillier. He then joined Dominique Bagouet before founding his own company in December 1984.
Since his beginnings, he has created 60 choreographic works, ranging from solo to larger formations including Romeo & Juliet, Snow White, Swan Lake …. He likes to alternate large narrative ballets with more abstract pieces like Empty moves, Still Life, Deleuze / Hendrix …
Angelin Preljocaj collaborates regularly with other artists in various fields such as music (Goran Vejvoda, Air, Laurent Garnier, Granular Synthesis, Karlheinz Stockhausen), visual arts (Claude Lévêque, Subodh Gupta, Adel Abdessemed), design (Constance Guisset), fashion (Jean Paul Gaultier, Azzedine Alaïa), drawing (Enki Bilal) and literature (Pascal Quignard, Laurent Mauvignier), and animation movies (Boris Labbé) …
His productions are now part of the repertoire of many companies, many of which also commission original production from him (New York City Ballet, Staatsoper Berlin, Paris Opera Ballet…). Angelin Preljocaj has received numerous awards, including the “Benois de la danse” in 1995, the “Bessie Award” in 1997, “Les Victoires de la musique” in 1997, the “Globe de Cristal” for Snow White in 2009 and the “Samuel H. Scripps Price” in 2014. He has directed several short films and films featuring his choreography. His first feature film, “Polina, danser sa vie”, directed with Valérie Müller and adapted from the comic strip by Bastien Vivès, was released in 2016. In 2019 he was appointed to the Academy of Fine Arts in the new « choreography » section.
After Swan Lake in 2020 and Deleuze / Hendrix in 2021, he will choreograph and direct Lully’s opera Atys for the Grand Théâtre de Genève in 2022. At the same time, he created a short choreography for the “Danse Europe!” application, a participatory project open to all. For Dior, he created the choreography and the film Roman Night with the dancers of the Rome Opera Ballet. He also participated in the television series Irma Vep by Olivier Assayas, as an actor and choreographer. In July 2022, he created Mythologies with original music by ex-Daft Punk Thomas Bangalter at the Opéra National de Bordeaux. In February 2023 he created Birthday Party for senior performers at the Théâtre National de Chaillot, commissioned by Aterballetto. Then Torpeur at the Montpellier Dance Festival in June 2023. He is currently working on his upcoming production Requiem(s), premiere in May 2024.
The Ballet Preljocaj now has 30 permanent dancers and performs an average of 120 dates a year throughout the world.
Gustav Mahler
(1860–1911)
Gustav Mahler was an Austrian composer and conductor. His compositional output was limited to songs, song cycles including with orchestra (Lieder eines fahrenden Gesellen, Rückert Lieder, Kindertotenlieder, Das Lied von der Erde), and symphonies (nine complete and a tenth that was incomplete at his death). However, the symphonies especially, have, since the centenary of his birth, acquired canonic status in the performance repertoire. With their deep psychological narratives, they are highly wrought, expansive works, many of them including voices, that are admired for their intensely cathartic quality. Extensive and ongoing research into his compositions as well as his conducting activities have revealed Mahler to be one of the 20th century’s most significant figures of European art music.
Mahler was born on July 7, 1860, in Kalischt, near Iglau, in Bohemia (now in the Czech Republic). The eldest of six children in a middle-class Jewish family, he was the local piano prodigy by age 10 and in 1875, was accepted into the Vienna Conservatory. While there, composition was his primary subject; he was one of many students inspired by the music of Richard Wagner, and thus supported the burgeoning modernist trend. He later attended courses at Vienna University, where he became acquainted with Anton Bruckner, whose music he later championed as a conductor.
Mahler’s conducting career proceeded through positions in increasingly prestigious theatres in Central Europe. He began at Bad Hall, south of Linz, then moved on to Kassel (1883–5), Prague (1885–6), Leipzig (1886–8), Budapest (1888–91), Hamburg (1891–7), and finally to Vienna’s Hofoper in 1897. His directorship there, which was facilitated by his conversion to Catholicism and lasted until 1907, was distinguished particularly by productions with innovative stage designs by the Secessionist artist Alfred Roller.
Mahler gained a reputation for being a very demanding and exacting conductor. Yet, while his volatile temper got him into trouble with musicians, singers, and the theatre administration many times, the results he got in performance were undeniably powerful, and audiences flocked to see him at the podium. In Hamburg, then later in Vienna, Mahler also conducted orchestral subscription concerts, often with adventurous programming that included idiosyncratic (and frequently controversial) interpretations of oft-performed “classics” by composers like Ludwig van Beethoven and Robert Schumann.
In 1902, he married the composer Alma Schindler, with whom he had two daughters (the elder Maria died in 1907 from scarlet fever and diptheria). Meanwhile, he wrote and conducted his own symphonies to increasing critical acclaim, with premieres being highly anticipated events. In 1907, the same year he was diagnosed with a heart defect, Mahler crossed the Atlantic to conduct two seasons at New York’s Metropolitan Opera House, followed by two seasons with the New York Philharmonic. In February 1911, he contracted bacterial endocarditis, and following attempts at treatment in Paris, he died in Vienna on May 18, 1911.
By Dr. Hannah Chan-Hartley
Set designs for Ballet Preljocaj
Blanche Neige (2008)
Le Songe de Médée (2004)
Le Sacre du printemps (2001)
Casanova (1998)
L’Anoure (1995)
L'Oiseau de Feu (1995)
Le Parc (1994)
La Peau du monde (1992)
Amer America (1990)
The irrepressible Jean Paul Gaultier has been creating inclusive fashion since 1976. From growing up in the suburbs, his extraordinary destiny has seen him become one of the greatest couturiers in the world, without attending fashion school. Thanks to his audacity, talent, irreverence and humour, of course!
DIFFERENT IS BEAUTIFUL
“I love to blend clothes, people, social classes, genres... and have fun with it“. Well before he said that, Jean Paul Gaultier made inclusivity, diversity and the mixing of genres the uplifting pillars of his world. A world in which people of every colour, shape and identity are celebrated! For Jean Paul, this vision of the world is more than political, it’s natural, celebratory. Some may call it provocative, but he simply wants to show the world in all its diversity.
CULT FRAGRANCES
In 1993, Jean Paul Gaultier set himself a new challenge and created his first fragrance, Classique. Its success was instant, this wonderful object of desire winning fans all over. Primarily for its contents – an all-consuming combination of vanilla, orange blossom and ginger – and the iconic bottle with its sensual curves, of course. Its masculine alter ego, Le Male, went the same way, becoming another of the best-selling fragrances in the world. With its fresh notes of lavender and mint, Le Male is seriously sexy, ready to seduce anything in its wake! This obsession with sensual accords has become synonymous with the House of Gaultier, which continues to create fragrances with instant appeal. From the aptly named Scandal with its captivating honey notes, to the intoxicating new duo La Belle and Le Beau that stretch out the summer with notes of pear (for her) and coconut (for him), there are various deliciously addictive creations to choose from.
HAUTE COUTURE
In 1996, after 20 years of ready-to-wear, Jean Paul Gaultier made his grand entrance into Haute Couture. The enfant terrible became the couturier terrible! He reinvented Haute Couture by putting exceptional French savoir-faire at the service of his obsession for combining different genres, cultures and materials. Jean Paul Gaultier’s motto is simple but ambitious, nothing is impossible! The ateliers then work their magic in bringing the designer’s ideas to life; some pieces require hundreds of hours of work and rare craftsmanship techniques to make. Since 2021, the fashion house has been inviting new designers to express their vision of the Jean Paul Gaultier world each season.
POP ICON
Of course, Jean Paul Gaultier has dressed some of the biggest names in pop culture. He’s even done some world tours! Not as a singer, but on account of his designs, having created stage outfits for legends such as Madonna, Mylène Farmer and Kylie Minogue. On the big screen, Jean Paul has also made his mark, creating crazy costumes for films by Pedro Almodóvar, Luc Besson and Jean-Pierre Jeunet. He’s received two Cesar nominations himself. And when Marion Cotillard collected her Oscar, she wore a mermaid dress by Jean Paul Gaultier! Today, a new generation of icons is joining the extended JPG family. Among them: Dua Lipa, Christine and the Queens, Lil Nas X, Kim Kardashian, Rosalía… welcome to the House of Gaultier!
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Known for his versatility across a broad spectrum of genres, dynamic interpretations and meticulous technique, American-Canadian conductor Julian Pellicano is the Musical Director and Principal Conductor of Canada’s Royal Winnipeg Ballet and Associate Conductor of the Winnipeg Symphony Orchestra. Bringing an incisive musicality and collaborative spirit to every performance, he has built a wide-ranging international career leading the Winnipeg Free Press to proclaim that “his versatility is truly astonishing.”
As a guest he has conducted orchestras in North America and abroad including the Seattle Symphony, Vancouver Symphony, the National Arts Centre Orchestra, the Orquestra de Valencia, Edmonton Symphony, the Louisiana Philharmonic, the Orquestra Sinfônica de Porto Alegre, the Hartford Symphony, Oklahoma City Philharmonic, and the Vermont Symphony among others.
Passionate about the intersection of music and dance, Pellicano has collaborated with internationally renowned dancers and choreographers. Upcoming ballet performances include a debut with the National Ballet of Canada, a return to Orlando Ballet as well as extensive performing and touring with the Royal Winnipeg Ballet.
A specialist in performing films live with an orchestra, Mr. Pellicano’s catalogue of film projects encompasses over 20 titles including the Star Wars and Harry Potter series, E.T. The Extraterrestrial, Jurassic Park, Home Alone, Miloš Forman’s award-winning film Amadeus, Fritz Lang’s Metropolis with its original 1927 score, Casablanca, Singin’ in the Rain, The Wizard of Oz, Disney’s Fantasia, The Nightmare Before Christmas, plus several of Charlie Chaplin’s silent classics.
Julian Pellicano studied conducting at the Yale School of Music, and the Royal College of Music in Stockholm, and has conducted masterclasses with Kurt Masur, Peter Eötvös, Zsolt Nagy, Martyn Brabbins, Carl St. Clair, L’Orchestre Philharmonique du Luxembourg and the Royal Scottish National Orchestra.
Julian Pellicano’s career grew out of unconventional beginnings, performing as a primarily self taught percussionist, timpanist, drummer and accordionist, in styles ranging from folk music to blues and jazz, rock and punk, as well as more traditional ensembles and orchestras. As a percussionist, he has performed in concert halls and festivals in North America, Europe and Asia. He also holds a degree in philosophy from The Johns Hopkins University
Credits
ROYAL WINNIPEG BALLET
Founders
Gweneth Lloyd & Betty Farrally
Artistic Director Emeritus
Arnold Spohr, C.C., O.M.
Founding Director, School Recreational Division
Jean Mackenzie
Founding Director, School Professional Division
David Moroni, C.M., O.M., D.Litt, (h.c.)
Artistic Director
André Lewis, C.M., O.M., M.S.M.
Executive Director
Elena Tupyseva
Artists
Elizabeth Lamont, Alanna Mcadie
Stephan Azulay, Yayoi Ban
Jaimi Deleau, Peter Lancksweerdt, Michel Lavoie
Katie Bonnell, Marco Lo Presti
Liam Saito, Katie Simpson
Jenna Burns, Cleighden Butler
Julianna Generoux, Joshua Hidson
Tymin Keown, Emilie Lewis, Parker Long
Logan Savard, Amanda Solheim, Kyra Soo
Brooke Thomas, Taisi Tollasepp, Maggie Weatherdon
Felix Jinga, Myles Mackesy
Rafe Perry
Associate Artistic Director
Tara Birtwhistle
School Director
Stéphane Léonard
Music Director & Principal Conductor
Julian Pellicano
Ballet Masters
Caroline Gruber, Jaime Vargas
Principal, Recreational Division
Nicole Kepp
Principal, Professional Division
Suzanne André
Director, Anna McCowan-Johnson Aspirant Program
Vanessa Léonard
Director, Teacher Training Program
Johanne Gingras
Stage Manager
* Candace Jacobson
Stage Manager
Ingrid Kottke
Assistant Stage Manager
Paige Lewis
* On leave
Production Team, Royal Winnipeg Ballet
Company Manager
Ryan Bjornson
Conductor
Julian Pellicano
Physiotherapist
Lexie Fast
Head Audio
Kevin Davis
Head Flyman
Doug Kiddell
Lighting
Scott Henderson and Martin Lecarme, based on designs by Patrick Riou assisted by Cécile Giovansili and Sébastien Dué
Lighting Assistant
Julia Armstrong
Head Wardrobe
Diana Miller
Head Carpenter
George Addis
Carpenter
Pierre Soular
Production Manager
Jef Ward
NAC Orchestra
First Violins
Yosuke Kawasaki (concertmaster)
**Jessica Linnebach (associate concertmaster)
Noémi Racine Gaudreault (assistant concertmaster)
Marjolaine Lambert
Emily Westell
Manuela Milani
Carissa Klopoushak
*Erica Miller
*Oleg Chelpanov
*Andréa Armijo Fortin
*Renée London
Second Violins
Emily Kruspe (acting principal)
Frédéric Moisan (acting assistant principal)
Jeremy Mastrangelo
Leah Roseman
Edvard Skerjanc
Winston Webber
Zhengdong Liang
Mark Friedman
Karoly Sziladi
*Martine Dubé
Viola
Jethro Marks (principal)
David Marks (associate principal)
David Goldblatt (assistant principal)
David Thies-Thompson
Tovin Allers
Paul Casey
Cello
Rachel Mercer (principal)
Julia MacLaine (assistant principal)
Timothy McCoy
Marc-André Riberdy
Leah Wyber
Karen Kang*
Double Bass
Max Cardilli (assistant principal)
Vincent Gendron
**Marjolaine Fournier
*Paul Mach
*Doug Ohashi
Flute
Joanna G'froerer (prinicpal)
Stephanie Morin
*Kaili Maimets
Oboe
Charles Hamann (principal)
Anna Hendrickson*
Anna Petersen
English Horn
Anna Petersen
*Anna Hendrickson
Clarinet
Kimball Sykes (principal)
Sean Rice
Shauna Barker*
Bassoon
Darren Hicks (prinicpal)
Vincent Parizeau
*Alex Eastley
Horn
*Brian Mangrum (guest principal)
**Julie Fauteux (associate principal)
Lawrence Vine
Lauren Anker
Louis-Pierre Bergeron
*Olivier Brisson
Trumpet
Karen Donnelly (principal)
Steven van Gulik
*Amy Horvey
Trombone
Steve Dyer* (guest principal)
Colin Traquair
Bass Trombone
Zachary Bond
Tuba
Chris Lee (principal)
Timpani
*Lauren Floyd (guest principal)
Percussion
Jonathan Wade
*Kris Maddigan
*Dan Morphy
Harp
Angela Schwarzkopf* (guest principal)
Principal Librarian
Nancy Elbeck
Assistant Librarian
Corey Rempel
Personnel Manager
Meiko Lydall
Assistant Personnel Manager
Laurie Shannon
*Additional musicians
**On leave
Production Team, Southam Hall
Head Carpenter
James Reynolds
Head Electrician
Shane Learmonth
Assistant Electrician
Fred Malpass
Property Master
Timothy Shannon
Head Sound Engineer
Dan Holmes
Assistant Sound Engineer
Thomas Stubinski
Head Flyman
Ross Brayne
Projectionists, Wardrobe Mistresses, Masters and Attendants are members of International Alliance of Theatrical Stage Employees (IATSE) Local 471.
NAC Dance Team
Executive Producer
Caroline Ohrt
Senior Producer
Tina Legari
Special Projects Coordinator and Assistant to the Executive Producer
Mireille Nicholas
Company Manager
Sophie Anka
Education Associate and Teaching Artist
Siôned Watkins
Technical Director
Brian Britton
Communications Strategist
Alexandra Campeau
Marketing Strategist
Marie-Chantale Labbé-Jacques
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